Disadvantages of Nuclear Power Essay Example for Free

Disadvantages of Nuclear Power Essay High-level radioactive waste is very dangerous, and can remain so for tens of thousands of years before decaying to safe levels. It is highly radioactive and is a major barrier to the expansion of nuclear power. If there is to be a nuclear renaissance, a sophisticated method of dealing with this waste must be refined. This point itself has sparked a surprising number of debates. For example, how do you write danger on a concrete box, when in 5,000 years the word danger may no longer exist? What symbols could we use to let people know to leave it well alone? As you can see from the graph below, the radioactivity of nuclear waste takes about 10 000 years to return to that of the original ore. The black line, indicating the total waste products, is the important one. Accidents Consider the words Chernobyl, Three Mile Island or, more recently, Fukushima. What do you think when think of them? Some people were (are) so terrified of the threat of radiation and various other scary things from previous accidents that even the idea of such things happening again makes them completely averse to nuclear power as a whole. In terms of disadvantages of nuclear power, this is a big one. Whatever improvements in safety the nuclear industry has developed, public opinion may very well rest in these events. Theres no right or wrong answer here. Technically speaking, nuclear power remains one of the safer energy sources, but Fukushima has reminded the world what can happen when something goes wrong. Proliferation Some forms of nuclear reactor, known as breeder reactors produce plutonium, which can, conceivably, be used to make nuclear weapons, most likely in the orm of a dirty bomb. This is a conventional explosive mixed with radioactive material with the intention of spreading the material across a wide area to do even more damage. There are other reactors which do not have this problem, but it is another issue that must be addressed before the possibility of a nuclear future can be taken seriously. In fact, there are reactor designs, and fuels for them, which would also significantly reduce the amount of waste produced. Fuel Nuclear fuels are, physically, even rarer than fossil fuels. Fossil fuels at least are made on Earth, albeit over millions of years. Heavy elements like Uranium are only made as stars die, in supernovas. Our solar system actually formed from the remains of another star, at which point heavier elements were made. Essentially, once theyre gone, theyre gone. Only in particle accelerators can heavier elements be made.

Software Patent/Copyright Issues in the PRC (People’s Republic of China) :: Software Technology China Essays

Software Patent/Copyright Issues in the People's Republic of China Introduction This paper is an analytical essay on global ethical issues on software intellectual property in China. It will focus on the software patent and copyright issues that are prevalent in the PRC (People’s Republic of China, including Taiwan (R.O.C. – Republic of China), and Hong Kong). The paper will include personal experiences encountered in this region of the world. In addition, it will include an in-depth analysis on the topic with industry and academic references to defend a particular moral/ethical position, in which software piracy may seem a part of the Chinese culture but is clearly ethically unacceptable. Background Information technology is a key driver in the globalization and growth of the world economy. The total worldwide package software market has been estimated at over $135 billion [1]. Piracy causes significant loss internationally. According to the Software Publishers Association (SPA), the worldwide revenues of business-based PC applications were over $17.2 billion. The piracy rate in China ranked amongst the highest at 96 percent. Software has the distinctive characteristics of digital goods – it is expensive to produce for the first copy (high-fixed costs) and inexpensive to reproduce and distribute for subsequent copies (very low, approaching zero, variable costs). These characteristics make it similar to a public good in that sharing it with others does not reduce the consumption utility of the product. One of the main causes for software entertainment copyright issues in China is that there is a huge imbalance between the people’s demand for filmed entertainment and its constrained â€Å"legitimate† supply. The government quotas severely limit import and distribution of films and television shows, cable television offers a sparse selection of entertainment programming options, and modern cinema screens are in short supply. Hence, the black market has emerged to meet this need that would otherwise go largely unfilled. [9] In addition, software piracy is big business with a lot of money at stake. Selling pirated goods at huge volumes make piracy highly profitable. And in a job-hungry economy, piracy creates hundreds of thousands of jobs that the government may be reluctant to threaten with more rigorous anti-piracy measures. [9] Personal Experience In the last five years, I have had the opportunity to travel to China, Hong Kong, and Taiwan, three times. Sure enough, a common theme in all three of these geographies is being able to buy pirated goods for cheap.

Scholary vs Popular Media Focus on Sexuality Paper

It’s a Quick Way to Get What You Want†: A Formative Exportation of HIV Risk Among Urban Massachusetts Men Who Have Sex with Men(MSM) Who Attend Sex Parties was an article retrieved from the AIDS Patient Care and STD Journal it was published in October of 2010. The authors of this article are Matthew J. Mimiaga, Sari L. Reisner, Sean Bland, Kevin Cranston, Deborah Isenberg, Maura A. Driscoll, Rodney VanDerwarker, and Kenneth Mayer. The main focus of the research was to investigate the HIV sexual risk behaviors of MSM who reported attending and/or hosting sex parties in Massachusetts in the past 12 months. Men who have sex with men at these sex parties are at greater risk of receiving HIV or an STI due to the fact there are other factors involved like alcohol, drugs, higher mean of anonymous partners, and unprotected sex(Migiaga, 2010). This study took place at the Fenway Health a health care and research facility. There were 40 preselected participants who completed an in depth, semi structured qualitative interview and an interviewer-administered comprehensive quantitative assessment series for a hour and a half. The study/interviews were conducted by one of two trained interviewers. That asked questions like†¦ How would you define a sex party? When did you begin hosting/attending sex parties? Describe the sex parties you attended/hosted? Are condoms and lube available at these parties? What kind of sexual behaviors do men engage in and what HIV and STI risk behavior do you see happening? Do you participate or organize these parties? Any rules involved in your parties? While asking these questions they also assessed psychosocial factors like depression, anxiety, problematic alcohol used and history of drug or alcohol abuse, and the trauma history (like childhood sexual abuse). Results/conclusion of the study suggested that the men who attended these parties are at great risk of acquiring or transmitting the HIV due to the reasons explained throughout the article(Migiaga, 2010). â€Å"Party, Play—And Pay† was an article recovered from the Newsweek Journal that was published in February of 2005. This article gives a very detailed brief account of what a sex party full of men on crystal meth is like other wise known as â€Å"Party and Play†, or PnP for short. The authors describe the sex party scene as a room full of about 30 to 40 men paying 20 dollars a piece to the host of this party, they put all their belongs in hefty bags for safe keeping while they walk around in the nude having sex with multiple partners unprotected and using illegal drugs. The authors mention several factors that were putting these men at risk such as drug usage, multiple partners, and unprotected sex. They talk about how one person on meth and having hundreds of unsafe sexual encounters could have been the result in a powerful drug-resistant strain of HIV. Leaving health officials and the community leaders to take a long look on how crystal methamphetamine is playing an enormous role in the spread of the AIDS Virus and HIV(Jefferson, Breslau, Darmen, Childress, & Juarez, 2005). The authors depict how crystal meth leaves its users with a euphoric and hypersexual feeling, leading in binges with multiple partners for several days. In the article, according to the Centers for Disease Control and Prevention, men that are high on crystal meth are four times more likely to engage in unprotected sex than those who are not high. The article also reveals that many men pop Viagra to counter temporary impotence. This mix of drugs makes users more open to unsafe sex, thus leading to a greater risk of contracting HIV. They concluded the article with an interview on someone who has lived the life of the â€Å"Party, Play—And Pay† and how they lost everything!  Both of these articles are referring to the great epidemic that is infecting the gay community-HIV. They talk about how behaviors like attendance of private sex parties, drug usage, sex with multiple partners, and use of unprotected sex are assisting in the growth of HIV amongst the gay community. Even though these articles are providing a lot of the same information, they are very different. The scholarly article compared to the public media article is a lot more in depth and have factual numbers that were taken from the direct study. The authors of a scholarly article seem to leave â€Å"no stone unturned† and no question unasked. The scholarly article encompasses an abstract-giving a description on the whole study which then leads to the introduction, methods used for example the design and the setting where the study took place and they how data was collected, how the candidates were chosen to participate. It also discussed how the qualitative interview was preformed and they questions that were asked, the article gave a quantitative assessment and the approach that was taken to retrieve the information, thus ending in results, conclusion and the discussion. The scholarly article provided information, numbers, percentages, and averages about the demographics, sexual behavior, and psychosocial characteristics of the men who were interviewed and surveyed in this study. It is written in a very formal tone, in great detail, displayed the authors’ findings to be displayed for other experts and students in a specific field to study and review. All of the authors who wrote on the scholarly were experts with degrees. Most of the scholarly articles found consisted of more then just one or two pages and they have specific guidelines. The authors cite their sources though out the article and they also include a list of references at the very end. Graphs and data were included. Once the study is completed and the article is written it goes through a â€Å"rigorous† peer review process (Unknown, 2009). The public media article gave an informal tone (Unknown, 2009) to the whole â€Å"HIV, drugs, gay men, and sex parties. They used information, facts, numbers, and percentages from different sources like the â€Å"Centers for Disease Control and Prevention† and other various resources instead of conducting their own control study, survey, or interviews researched amongst a trained research team. Scholarly and popular media both provide a great amount of information, just presented differently. Scholarly articles seem to provide you with a more intellectual approach(Unknown , 2009) to the topic or what you are trying to learn and can be used perfectly in an academic environment, but unlike the popular media article its just numbers, demographics, facts taken from a research and its subjects. It lacks the real stories and visual pictures of human beings and how they are being affected by this epidemic. Talking about how some people lost their jobs, homes, family, and life to the life-style that lead them to AIDS or HIV, as a result hitting a little closer to home and how it’s affecting today’s gay community and what they are doing to counter act these behaviors. Professors like to advertise scholarly and peer reviewed articles simply because it is an array of factual information written by the subject matter experts in a very formative way. Sex is something that is not formally studied often and that’s why people have many different perceptions of what sex is really like. Sometimes these perceptions can lead to a lot of misleading information. Sex can be common to some but not so common to others due to the fact there are many aspects to sex like bisexuality, homosexuality, and heterosexuality. No one knows it all when it comes to sex and this is why you should leave it to the experts. This is perhaps why scholarly articles are preferred and â€Å"hyped up† by professors. Scholarly and public media articles can be very reliable depending on the source and their credentials. Conducting this review of the differences of a scholarly/peer reviewed article and the public media had shown me the pros and cons to both types of articles. If you are looking for an article that is reliable academically and that has been reviewed by many of subject experts-scholarly articles are what you’re looking for. If you are looking for informal information with very little statistics but reliable information on the subject matter you can read a public media article. In conclusion, if you really want to know more about the subject, look up both the scholarly and in public media articles just to gather a wide assortment of information from different variable resources.

How I Think Theologically By Howard W. Stone And James O....

In their book, How To Think Theologically, Howard W. Stone and James O. Duke convey to their reading audience on the very first page of their introduction that â€Å"†¦Christian theology is at its roots a matter of faith seeking understanding.† The premise of the book argues – no states emphatically â€Å"†¦their (christians’) faith makes them theologicans.† It is this foundational point on which the entire work pivots. So Stone and Duke are asking their readers to buy in to the realization that by merit of our Christianity, we all are theologians. Once their readers have been garnered by this knowledge, they seek to take that audience to levels of thinking correctly in relation to theology – both methodically and methodologically. This critical book review seeks to understand theologically the arguments Stone and Duke are making and evaluate the effectiveness and thoroughness of this text. In order for the reading audience to buy in they offer the above mentioned definition of Christian theology. One can readily see, then, as believers in Christ’s work at Calvary - His obedience in death, His submission to burial and His glorious resurrection from the dead we indeed can accept forgiveness and hence be Christians. And, as such we think on our faith, teachings and understandings in matters of faith. This process, in effect is theological reflection. And, although Stone and Duke have varying theological views in some areas, they both agree on the points of this book on the journey ofShow MoreRelatedThe United Church Of Christ, By Howard W. Stone James O Duke1764 Words   |  8 Pagesorg/ministers_leaders-box Howard W. Stone James O Duke, in their book How to Think Theologically state, â€Å"To be a Christian at all is to be a theologian. There are no exceptions.† Google’s definition of a theologian is â€Å"a person who engages or is an expert in theology. Theology, according to Google is 1) the study of the nature of God and religious belief and 2) religious beliefs and theory when systematically developed. It is with these definitions in mind that I prepare my paper for ordination

Famous Houses

“Despite all the problems associated with their use,...

Crime statistics published by the Home Office provide information regarding crime rates, the trends of which ethnicity, social class, areas in the country that commit the highest rates crime. The method that is used to collate the data. Quantitative methods such as questionnaires and secondary data are used by positivists (who see sociology as a science) which means that the problems with the methods used relate to the problems with crime statistics. There are many problems with official statistics, especially when they are showing trends in crime. The problems however, do not outweigh the beneficial factors that come with using crime statistics. Crime statistics is the type of data that is collected over long periods of time. The†¦show more content†¦People with high powered jobs in the course of their professional or business occupation include bribery and corruption, tax evasion and embezzling funds and other types of fraud. These crimes go unreported because these people are not under scrutiny or are not being observed because they have the authority - no one is above them. In addition, these crimes are dealt with in a different way. Rather than being handed to the policing authorities to be prosecuted in court, they are sacked, and their professional title would be striped of their possession. An example of White collar crime would be of the American company Enron. Enron grew unexpectedly to be America’s 7th largest company, employing 21,000 members of staff in more than 40 countries. The firm’s success was later to be explained by an elaborate scam. Enron had deceived their employees about their p rofits and stands accuse of a range of inexplicit deals, including concealing debts. More than six moths after a criminal inquiry was announced, the guilty parties have still not been brought to justice (CBC news). This means that crime statistics provide evidence that the middle and upper classes are unrepresented, thus translating to much importance to Marxists. Due to the fact that the higher classes are benefiting from crime, as they remain un-prosecuted, it supports the theory that the bourgeoisie in a Capitalist society are the ruling class. However, after considering the disadvantages and

Limitations of the Australian Thresholdâ€Free Samples for Students

Question: What are the limitations of the Australian Threshold? Answer: Introduction The artistic features prepared by the indigenous group of the Australian are known as the Aboriginal Art. The aboriginal art includes the artistic painting on the leaves, rock carving, woodcarving, sand painting, and sculpting. It is to be indicated that the aboriginal art is reflecting the rituals and ceremonies of Australian aboriginal group. According to Quayle, Sonn and Kasat (2016), this art is considered as the oldest traditional art that highlights many of the innovative paintings. The study will explore the underlying facts regarding the aboriginal arts. The analytical point of view will be incorporated in this study to develop the clear understanding related to the subject matter. Review of the Article The article explores the facts related to the unique art features created by the aboriginal group of people in Australia. The following points will highlight the key features of the artwork illustrated by the famous artists of the indigenous community. Origin of aboriginal art The etymological origin of the Aboriginal art is the Dreamtime stories and symbols. The specialty of this era is the conceptions of the local people regarding creation of the world. The life span of the dream time stories is more than 50,000 years and the legacy have been passed through all the generations (Sanz, Fiore and May 2016). Delving deep into the tradition, all of the art does not entre around the dreamtime stories. Comparison of all the art forms of the Australian threshold, aboriginal art enriches the knowledge of the local people about the worldly creation. The passing on of the legacy through all of the generations contradicts the limitations of the indigenous people. Linguistics of the aboriginal art There is an absence of native language for the aboriginal people settled in the Australian threshold. This is the main reason for representation of the culture and traditions in the form of symbols (McDonald 2014). This practice finds its applicability also in terms of conveying important information to the people regarding the cultural diversity. Maintenance of traditionalism in the symbols and icons helps the artisans to preserve the Australian culture. In spite of the differences in the linguistics, critiques are invoked to compare the aboriginal art to the Western art movement. This invocation attaches a different shade to the aboriginal art, which enriches the cultural heritage (Eagle 2014). Uses of aboriginal art One of the most common uses of the aboriginal art is to teach painting to the children. Keeping in mind the varying interests of the people, different bases are used for depicting the symbols of cultural heritage. This variation holds different connotations for children and adults. For children, the art forms enrich their knowledge about the culture of their motherland. From the perspective of the adults, the aboriginal art is a tribute to the efforts of the artisans in terms of enlivening the history of creation (Kubota 2016). This utilization of the aboriginal art improves the visual sense of the audience. Moreover, levying the information about the creation of the world through paintings helps the people to find similarities with the everyday life. Multiculturalism of aboriginal art Before the advent of Europeans in Australia, multiculturalism has already made its way into the threshold of Australia. The major drive behind this is the presence of multiple language groups and cultures. Variations in the cultures have resulted in the creation of various different styles, which have aligned with the specific tastes and preferences of the audience. Herein, lays the attempts undertaken by the media personnel in terms of enriching the knowledge of the public domain about the cultural diversity of Australia (Hodder 2013). Typical examples in this direction are the exhibitions, placement of the paintings in the museums for visual entertainment of the tourists and local people among others. Legal specifications The artists are entrusted to follow certain rules and regulations, prior to the initiation of painting. As the painting reveals out the specifications of the sacred information, the painter needs to take permission from the statutory body of law. Even the traditional painters are not exempted from these specifications. The traditional and experienced artists cannot picturize a story, which does not align with his family legacy. Consideration of these specifications adds a legal touch to the paintings, which are placed in the exhibitions (Cameron 2015). On the contrary, lack of compliance to these specifications spoils the sanctity of the cultural heritage, which degrades the national status. Painting boards The modern aboriginal paintings are drawn on canvas. However, the story was different in the earlier times. As a matter of specifications, wall scratches, rock walls, bodies of humans, sand, dirt and ceremonial articles were the different abodes of the aboriginal paintings. However, the etymological origin of canvas is only 40 years ago (David et al. 2013). Credit goes to Geoffrey Bardon, who, in 1971 brought a transformation in the painting platform from scribbling of the stories in the sands to the depiction of these stories on canvas boards. His motivation and encouragement took the aboriginal art to the standards of western art movement. Following the footsteps of Geoffrey uplifted the standard of the aboriginal art to the extent of achieving success in the provision of providing thrilling visual experience to the audiences, which aligns with the standards of 20th century art forms (Hodder 2013). Dot painting The main purpose of using dots in the aboriginal art is to conceal the secret of the sacred information from the white men. Its usage began, when the native people became conscious of preserving the cultural heritage of the art form. Utilization of several dots placed the revealed facts underneath the real projection. This added to the safety and security of the traditionalism related to the native art (Eagle 2014). Typical example of this is the morphology of the classical styles brought in by the Pintupi tribes. The morphology relates to the upliftment of the art form. Viewing it from other perspective, combination of dots results in one whole fragment, which acts as a protective cover for the picturized story. Environment of the aboriginal art The life span of the indigenous people attains longevity as compared to the other civilizations of the world. Surviving with the hostile environment has taught the people to adapt themselves amidst the complexities of life (Sanz, Fiore and May 2016). This has been possible due to the transmission of spiritual knowledge, cultural behavior, and practical skills among the local tribes. These values are reflected in the art forms, which can be considered as an upliftment in the social status of the aboriginal people. Placement of the paintings by the aboriginal tribes in the museums is a typical example in this direction. Widespread glory of the masterpieces of the aboriginal people sheds off the issues of exclusion, isolation from their fate and adds fame (Kubota 2016). Worth of the Artistic painting The article indicates that the price of the aboriginal artwork is much higher. Clifford Possum Tjapaltjarri has painted most of the artworks. In the year of 2007, Warlugulong, the famous artwork of Clifford Possum Tjapaltjarri was sold in almost $2.4 million. The use of the unique artistic ideas and the exploration of the antique beauty are making this aboriginal piece of work priceless (Merlan 2014). One of the Australian female artists made the record for an indigenous work. This illustration of Emily Kame Kngwarreye, Earths Creation was sold to a private buyer with the expense of $1.056 million in the year of 2007. The cultural reflection The aboriginal artwork helps in reviewing the cultural trait of the indigenous people in Australia in a remarkable way. It has the positive influence on these people to make them more culturally competent (Murphy 2016). The young indigenous people become knowledgeable about the facts of their culture since the old generation of the indigenous group has taught them in an influential way. The enriched knowledge derived from these aboriginal arts are ensuring some of the intangible benefits, such as increasing pride and self-esteem in the cultural perspectives. The reflection of the beautiful aboriginal arts helps in clarifying the understanding of the indigenous cultures. Categorization of the Aboriginal Illustration The aboriginal artwork is categorized into three major divisions, such as general version, public version, and ceremonial level. The indigenous people derive the ideas about the diverse languages included in the cultural aspects (Zurba and Berkes 2014). Moreover, the future generation of the indigenous group receives the enriched information about the customs, rituals, and ceremonies. Many of the arts illustrate the typical dreaming story that the public usually visualises in their regular lives. The reflection of the artistic story is also visible in these artworks. Traditional Symbolism It has been noticed that the symbolism of U shape is mostly used in the desert art or in the sand art. The U shape appears when a person sits cross-legged in the sand. The use of the symbolism is one of the unique features of the aboriginal arts. The desert art form of the aboriginal group is mostly prepared by utilising such symbolism. Aboriginal Community It has been observed that the Truganini was considered as the last person of the indigenous person in Tasmania. However, the perception was wrong. It was notified that a string and vibrant group of indigenous community in Tasmania has the visible existence (Flicker et al. 2014). The unique artistic values are reflected through the illustrations of the famous indigenous artist like Julie Gough and Ricky Maynard. In fact, a number of the indigenous people from Tasmania have been continuing the cultural practices through their epic artworks. Utilisation of Art The artists from the aboriginal group sometimes use the aerial depiction for the desert art. One of the unique features of the aboriginal art is that people do not need a map to design their house with the artwork. People can hang the artwork as per their choice. The maintenance of the versatility in this aboriginal art is much attractive (Shield and Loo 2014). People purchase the illustrative arts at a very higher price to decorate their home. In fact, it is also considered as the lucky signs of the indigenous culture. Skin Names The skin names of the aboriginal art form refers to the selected name of the men and women. The skin name feature is quite a complex system for providing the knowledge about the relationship between people, responsibilities, and their roles and responsibilities (Dowell 2015). It also depicts the clear linking between the land and the ceremonies in a clarified way. It can be interpreted that the use of the skin names holds the significant priority in the artwork prepared by the indigenous community. Conclusion The study elaborates the review of the facts associated with the aboriginal artwork prepared by the indigenous people in Australia. The use of the symbolic values and the unique art features are quite remarkable. The eye-catching arts are sold to the people at higher price. In fact, it is also notable that the young people from the indigenous group receive the enriched information about the cultural traits, customs, and rituals. The description of the cultural value of the indigenous community is reflected through the commendable illustrations of the famous artists. References Cameron, E., 2015, June. Is It Art or Knowledge? Deconstructing Australian Aboriginal Creative Making. InArts(Vol. 4, No. 2, pp. 68-74). Multidisciplinary Digital Publishing Institute. David, B., Geneste, J.M., Petchey, F., Delannoy, J.J., Barker, B. and Eccleston, M., 2013. How old are Australia's pictographs? A review of rock art dating.Journal of Archaeological Science,40(1), pp.3-10. Dowell, K.L., 2015. " The Future Looks Rad from Where I Stand": A Review of Claiming Space: Voices of Urban Aboriginal Youth at the UBC Museum of Anthropology.Anthropologica,57(1), pp.239-246. Eagle, M., 2014. A history of Australian art 1830-1930: told through the lives of the objects. Flicker, S., Danforth, J.Y., Wilson, C., Oliver, V., Larkin, J., Restoule, J.P., Mitchell, C., Konsmo, E., Jackson, R. and Prentice, T., 2014. " Because we have really unique art": Decolonizing Research with Indigenous Youth Using the Arts.International Journal of Indigenous Health,10(1), p.16. Hodder, I., 2013.The meanings of things: material culture and symbolic expression. Routledge. Kubota, S., 2016. Innovation of Paintings and Its Transmission: Case Studies from Aboriginal Art in Australia. InSocial Learning and Innovation in Contemporary Hunter-Gatherers(pp. 229-234). Springer Japan. McDonald, G., 2014. Aboriginal art and cultural diplomacy: Australia, the United States, and the Culture Warriors exhibition.Journal of Australian Studies,38(1), pp.18-31. Merlan, F., 2014. Recent rituals of indigenous recognition in Australia: Welcome to country.American Anthropologist,116(2), pp.296-309. Murphy, J.R., 2016. What we don't talk about when we talk about aboriginal art.Going Down Swinging, (37), p.82. Quayle, A., Sonn, C. and Kasat, P., 2016. Community arts as public pedagogy: disruptions into public memory through Aboriginal counter-storytelling.International Journal of Inclusive Education,20(3), pp.261-277. Sanz, I.D., Fiore, D. and May, S.K. eds., 2016.Archaeologies of Art: Time, Place, and Identity. Routledge. Shield, R. and Loo, S., 2014. Contemporary Aboriginal art and the cultural landscapes of urban Australia. InAustralasian Urban History Planning History Conference (UHPH 14): Landscapes and Ecologies of Urban and Planning History(pp. 759-770). Zurba, M. and Berkes, F., 2014. Caring for country through participatory art: creating a boundary object for communicating Indigenous knowledge and values.Local Environment,19(8), pp.821-836.